Friday, June 29, 2012

Passing on Inspiration - words can touch people

I got this quote today from a friend.

From Flavia Weedn's Facebook Page:

"I grew up in Los Angeles during the post-depression years. As a child I developed a love of color and design from my mother who was a doll maker. But it was my young uncle, Jack, who sparked my development as an artist. His great love of life led me to see the same wonder and beauty he found in the ordinary, and to share we must remember everything... i try to, it's all so fragile and precious... the same joy he found in the writings of the great romantic poets.

As a child I disliked my name until I learned from Jack that I was named after a princess in a book. I was embarrassed that we lived in a house beside an alley, across the street from a tire factory, until I learned from Jack that it didn’t matter where we lived as long as we were a family and loved and cared for each other. I had a thousand dreams inside my heart and thought none of them had a chance, until Jack taught me that if I worked hard and believed in my dreams, I could do anything.

I remember sitting in my grandmother’s fig tree, writing and illustrating my stories, and dreaming my dreams. I knew then that Jack had taught me to see life in a different way, and that he had given me a rare gift. What I didn’t know was that he had changed my life, and that what I had learned from him would directly influence my life’s work.

As a young adult I began to paint because I loved it. I found at my first showing that a passion within me was pushing me to express my feelings through my art, and to share the philosophy I had learned from Jack. From that time on, words literally became an integral part of my paintings. My husband and I began selling my work in the early 1960s at outdoor art fairs and open art exhibits. My work was so very different and I was afraid viewers would reject my openness, but I came to realize that it actually validated what many people felt deep inside—feelings they wanted to hold on to.

For more than 50 years, my work has continued to be my passion. I believe that art is communication—a way of sharing who we are and what we feel. I believe that in this life there are no endings, only beginnings; that our lives are journeys and that we grow from our experience on these journeys. I believe we discover through every heartache how to love more and love better, and that life has hidden gifts in its hands—the greatest of which is love.

Today, as the mother of two grown children, Rick and Lisa, and grandmother to my precious granddaughters Sylvie and Stella Mae and dear grandson, Miguel, I stand proud to know that what began as my dream carries on through their lives. Jack’s legacy of love lives on.

Whether feelings are expressed on a large painting or a small greeting card, whether they are shared through technology or in a passing whisper, words can touch people. The power of care can heal and make a difference in all of our lives and in this world we live in. This is my belief, the faith I hold in the human spirit, and the hope I wish to share with you."


Check out her:     Art      Writing

Saturday, May 26, 2012

Who should see your book before you self-publish?

Hi All,

I know I've been a little absent lately. I'm working on my indie sequel to THE HALO CHRONICLES: THE GUARDIAN. And I've been in revisions for a traditional pub. project.

This morning I came across a question on the yahoo indie loop (Indie Romance Ink) about who should see a book before you self publish. This question was posed by a new author finishing up her first manuscript. Despite needing to make coffee and pack to go out of town, I felt compelled to answer.

The short answer: Several people and at least one professional!

Here's what I shared:

Congratulations that you are almost done with your book. That is huge! You should definitely stop and celebrate your achievement. But after you pop the champagne, you should think about the revision process as another critical step to being a professional author. One of the biggest mistakes newer authors make is to release material before it crafted to a professional level. It’s soooo tempting, and we’ve all been there. Don’t do it! Usually the revision process, if done right, will take several months of intensive work.

I don’t mean to sound discouraging, by this manuscript is your baby. You wouldn’t take your baby out in public with torn clothes and a dirty face, right? The baby needs cleaning up first. This is what separates the professionals from the amateurs in a deluged eBook market. And it’s worth it, I promise.

In looking for a critique partner, you want to find someone slightly ahead of where you are in your journey, whose experience can help identify the opportunities to strengthen your manuscript. The critique relationship is about building trust – after all, you’re trusting this person to point out flaws in your baby. J Loops, organizations you belong to, local writing groups are all great place to look for a critique partner. In googling “critique groups”, I came  across a fun site: (http://www.ladieswhocritique.com/) *disclaimer* I have never used this group, but their approach is cool.

 As to your question on editing, most newer authors don’t know what type of editing they need. There are 3 standard types of editing in fiction writing and as an indie, you have a fourth. Knowing what type of editing you need is something a crit partner can help you with. At minimum, you will need #s 2, 3, & 4. Chances are, being newer, you will need #1 as well. And unless you have an amazing line editor, you might need a couple proofreaders. I’ve found readers, friends, or family with an eye for mistakes make great proofreaders.

 Here are the types of editing:

1.       Substantive Editing – structural (pacing, plot, characterization)

2.       Copy Editing – (Grammar, spelling, syntax, word usage, punctuation, writer tics, etc.)

3.       Line Editing – proofreading (typos)

4.       Format editing – (finished eBook forms and print pdf look as they should)*

*I would also extend this to any copy (blurbs, bios, etc.) you put on the web.


You might not need to hire a professional for all of them. #1 - Most of us that have been doing this awhile need less substantive editing than we used to (often our crit partner can point out issues and we can fit). #2 Get a professional. #3 and #4 – can be people we know with a meticulous eye for details. Have multiple proofreaders.

This might sound overwhelming, but consider the alternative. Bad reviews, bad ratings, damage to your author brand. And the internet is FOR-EVERRRRR. I’m going to go all cliché, but you only get one chance to make a first impression with a reader. Make it count!

Amanda Brice, my fellow indie YA sister and co-contibutor/driving force behind to the  Eternal Spring YA Anthology *free here* had this to say about when to release your baby into the world:

Congrats on getting close to THE END. Anytime you type that is a momentous occasion, but never moreso than your first time.
 
However, because this is your first book (and you wrote it without feedback), I'm inclined to agree with Maureen. You're probably not ready for either an editor or a beta reader yet. The first thing you need to do is find yourself a critique partner or critique group (are you a member of your local RWA chapter? Also, Romance Divas is a good place to learn the craft).

Then once you have the ms as sparkling as you can, I'd enter some contests for unbiased feedback. Then you might be ready for an editor. But even still, maybe not. I venture to guess that most of us did not publish our first ms and never will. The stereotype of the "book under the bed" is because first manuscripts tend to be learning books.

Is that the case with everyone? Of course not. some authors do publish their first book and do wonderfully. But most of us were not ready for publication on the first book, and you won't know this for sure until you get unbiased feedback. Hiring an editor will probably be a very expensive way to find out whether you're ready (and some books are unsalvagable), so I encourage you to run it through crit groups and the contest circuit first. This will take several months, but worth it.

Then once you're satisfied this book is potentially publishable (and you don't want to go the trad route), you'll need to find an editor. Since this is your first book, I highly encourage you to get both content editing and line editing, although some authors prefer to skip the content editing stage once they have a few books under their belt (and instead rely upon their critique partners and beta readers for developmental suggestions).

Good luck! I hope this wasn't discouraging, but the worst thing you can do is publish before you're ready.
 
Carey says: Thanks Amanda!

Now your turn: If you are an author, how many early books do you have buried under your bed?

I have books 1, 2, & 3 under the bed. #4 is my indie, 5 & 6 are with agents exploring traditional options.

Wednesday, February 8, 2012

Honestly YA Welcomes Erika O'Rourke

Erica O'Rourke talks high school regrets today at Honestly YA. *ALERT* one lucky follower will win a copy of TORN and her new book TANGLED. And if you haven't read Erica's books - you are missing out!

Friday, February 3, 2012

Dear Aspiring YA Author

Dear aspiring YA author,

We have reviewed your manuscript and are declining representation with out regrets. Although your writing is exceptionally strong with a unique voice, we believe the premise is a bit too similar to Stephanie Meyer’s Twilight Series. Due to Ms. Meyer’s iconic imprint on teen readership, we are not interested in acquiring manuscripts that contain the following:

·                  Angst
·                  Boys that sparkle
·                  Boys that are serially shirtless
·                  Any manuscript using any form of the word “dazzle”
·                  Girls into fashion
·                  Girls into sweatpants
·                  Girls that read
·                  Meadows
·                  Tall trees
·                  Indian tribe analogies
·                  Vampires, Werewolves, or Shape Shifters
·                  B-list paranormal creatures, such as fairies, shadowhunters, selkies, banshees, ghosts, zombies, mermaids, angels, demons, etc. (because they’re not as cool as vampires and werewolves)
·                  Teens that are really old
·                  Teens that age appropriately
·                  Teens that need to eat
·                  Teens that don’t eat
·                  Floating feathers (to be safe, no birds of any kind)
·                  Extraordinary abilities like mind reading, manipulation of emotions, and seeing the future
·                  Weather (including rain, snow, and sunshine)
·                  Prom
·                  Apples
·                  Forks (in fact, all cutlery is generally to be avoided)
·                  Times of day (especially sunset, sunrise and midday)
·                  Lunar cycles
·                  Red eyes, golden eyes, black or brown eyes (eyes in general have become cliché)
·                  Old trucks, motorcycles, and new sports cars
·                  Love triangles and teen couples (romance of any kind should be avoided especially true love and puppy infatuation)
·                  Relocating to a new town
·                  Living in the same place for any length of time
·                  Windows
·                  Bedrooms
·                  Kissing
·                  Sneaking in windows to kiss in bedrooms
·                  Teens that move too quickly into marriage
·                  Teens who don’t get married in opposition to books containing those who do
·                  Cold and hot (we will not publish any manuscript that references temperature)
·                  Anything with a pulse
·                  Anything without a pulse
·                  Characters that enforce or break the law
·                  Characters with foreign sounding names, old people names, or trendy names
·                  The number 17 (no characters of that age, nor any manuscripts containing the page number 17 or a 17th chapter will be considered)
·                  Manuscripts with short or one word titles
·                  Manuscripts with long titles (too contrary to what’s hot in the current YA market)
·                  Exotic locations like Italy, South America, or private islands
·                  The Pacific Northwest
·                  The Southwest (in fact, probably best if you set your story somewhere other than Earth)
·                  We are also not interested in books set in outer space or alternate worlds


However, if you are able to come up with a fresh YA concept that does not infringe on these areas, we would be most anxious to read it. We are also looking for Dystopians.

Sincerely,

Jane Doe Publisher

(Author note: My new young adult WIP is about one ordinary child and one eyeless grownup who don’t live anywhere, go anyplace, or have any adventures of any kind. Estimated length is 16 pages. It’s guaranteed to be a bestseller!)

YOUR TURN: What else needs to be on the list?

Thursday, January 19, 2012

The Experimental Girl, part 2: More Experimentation

Thanks to everyone who chimed in on promoted prices vs. every day available price. I am taking THE HALO CHRONICLES THE GUARDIAN off sale and back to $2.99.

I decided to let the .99¢ sale go through MLK Day, so I requested the pricing change ($2.99 , 70% royalty) for  on Tuesday. As usual Amazon is taking their sweet time to make the change.

It will be interesting to compare velocity at the higher price with THE WAY LIFE WAS FOREVER continuing as a free promo vehicle.

As of this morning, here are my January 2012 sales results:

THE HALO CHRONICLES: THE GUARDIAN ($.99): 123 128 (as of 1/19 8:30pm)

THE WAY LIFE WAS FOREVER (FREE): 4903 5056 (as of 1/19 8:30pm)

1/30 Results:

THE HALO CHRONICLES: THE GUARDIAN ($.99): 203 (and back up to $2.99)

THE WAY LIFE WAS FOREVER (FREE): 8007 (in 1 month!)

Thursday, January 5, 2012

The Experimental Girl


December was an experimental month for me. In November, I published a dystopian short story, THE WAY LIFE WAS FOREVER, at $.99. At the end I included the first chapter of THE HALO CHRONICLES: THE GUARDIAN. Then I dropped THE GUARDIAN from $2.99 to $.99 to participate in a holiday promotion called Book Lovers Buffet.


For the purposes of this analysis, I am going to use my Amazon sales.

December 1-24 results:
THE WAY LIFE WAS FOREVER $.99: 4
THE HALO CHRONICLES: THE GUARDIAN $.99: 66




I decided to make THE WAY LIFE WAS FOREVER free to promote THE GUARDIAN. It went into effect just after Christmas.




December 26-31 results:
THE WAY LIFE WAS FOREVER $.00: 617
THE HALO CHRONICLES: THE GUARDIAN $.99: 53

January 1-4 results:
THE WAY LIFE WAS FOREVER $.00: 767
THE HALO CHRONICLES: THE GUARDIAN $.99: 27



 The results are so phenomenal that I am going to keep THE WAY LIFE WAS FOREVER free.
Now my dilemma, the promotion for THE HALO CHRONICLES: THE GUARDIAN  ends 1/15/12. Should I keep it at $.99 with much lower royalties or take it back up to $2.99.

What do you think?